干支色紙で使用している「截金 / きりかね」「砂子 / すなご」と言う技法の簡単な説明。
「截金」・・・切箔、野毛、短冊（野毛の太くなったもの）
写真は、熱で金箔2枚を焼き合わせ（本格的には炭熱で箔を接合させる）竹刀で切った状態「野毛」と言います。
一般的に工芸品の截金は、5〜6枚接合させるが、私の場合「絵画」に使用するので2〜3枚にしている。
左から右にかけて、少しずつ金箔の幅（約0.5ミリ前後）が太くなるように切っています。
この野毛（金箔・プラチナ箔など）を、膠水又はドーサ液を画面に塗り、箔箸で摘まみ画面に蒔きます。
備考：箔を切る台は「箔盤」といい、表面は「鹿革」
箔材は湿気や静電気を嫌いますので、竹刀、箔箸など竹が使用される。
A brief explanation of the "Kirikane" and "Sunago" techniques used in zodiac paper.
「Kirigane」・・・ Kirihaku, noge, tanzaku (a thicker version of noge)
The photograph shows two pieces of gold leaf, baked together with heat (in the full-scale process, the foil is joined with charcoal heat) and cut with a bamboo sword, called "none.
Generally, five to six pieces of cut gold leaf are joined together for crafts, but in my case, I use two to three pieces for "painting".
I cut the gold leaf so that the width of the gold leaf (about 0.5 mm or so) becomes thicker little by little from left to right.
This note (gold or platinum foil, etc.) is sprinkled on the screen with glue water or dosa solution, then picked up with foil chopsticks and sprinkled on the screen.
Note: The stand on which the foil is cut is called a "leaf board," and its surface is "deerskin.
Bamboo is used for foil, such as bamboo swords and foil chopsticks because the foil material does not like moisture and static electricity.
「切箔」
上の写真は、一辺５㎜ 幅の四角を竹刀で切り終わった状態。
一辺の長さは、画面の大きさや装飾効果で変化させ、画面に蒔きます。
The photo on the right shows a 5mm wide square that has been cut with a bamboo knife.
The length of one side is varied according to the screen size and decorative effects and is sown on the screen.
「砂子」
片方の穴に網が張ってある竹筒に、金箔、プラチナ箔などを入れ、
砂子専用の筆を使い画面に蒔き、上から薄い和紙などで押さえる。
網の大きさは、極荒から極細まで４〜５種類あり、画面の大きさや効果で選びます
Sunago
Gold or platinum leaf is placed in a bamboo tube with a net over one hole,
The gold or platinum foil is then sprinkled onto the screen using a special brush, and the top is pressed down with a thin sheet of Japanese paper.
There are four to five different sizes of nets, from very rough to very fine, and they are selected according to the screen size and the effect.
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